Note: The first pitch was delayed from noon to 2:15 p.m. after ESPN producer Kyle Brown died before the game. The Old Gold & Black’s thoughts and prayers are with Brown’s family and loved ones.
Emotions...
After squeaking by the Crimson Tide yesterday on a controversial, game-changing call, Wake Forest made no doubt of today’s 22-5 win to punch their ticket to the College World Series.
“It’s a big...
This year has been a tremendous experience for the Old Gold & Black sports section as our writers have been able to cover one of the most successful years in Demon Deacon athletics history.
Extraordinary...
This past year, the Life section underwent great change. In the spring, we said goodbye to Life Editor Josie Scratchard, who moved on to greener pastures and became the Old Gold & Black’s Copy Chief....
This year marks the second year of the Features section, whose focus is the exceptional students, faculty and alumni of Wake Forest University and their achievements. We strive to cover campus-centric...
The 2022-23 academic year presented students with a different set of challenges from previous years. For most students, the past year has offered what might be described as a “return to normalcy” as...
Over the course of the 2022-23 academic year, the Old Gold & Black expanded the paper’s environmental coverage from a beat in the features section, to its own one-page section to a fully-fledged...
This year, the Opinion section went through several changes while also introducing fresh perspectives, all while our writers came out with some inspiring articles.
First and foremost, we held Wake...
The student art-buying trip is one of the most unique experiences Wake Forest has to offer. It all started in 1963 when Wake Forest’s Dean of Men and College Union Adviser Mark Reece and faculty members...
Kayla Amador (‘19) was one of those kids who scribbled on the walls. She remembers that, instead of yelling at her, her mother would say “We should take her to art school!”
So when Amador arrived...
With public art, one of the first challenges to think about is contextualization. In a museum, works can tell a story, but in hallways, Finkel says there’s no way for the works to be in dialogue with...
